Calexico - The Black Light 1998

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Calexico - The Black Light 1998 (Size: 101.44 MB)
  01-gypsy_s_curse_256_lame_cbr.mp3 7.88 MB
  02-fake_fur_256_lame_cbr.mp3 4.78 MB
  03-the_ride_(pt_ii)_256_lame_cbr.mp3 5.77 MB
  04-where_water_flows_256_lame_cbr.mp3 3.58 MB
  05-the_black_light_256_lame_cbr.mp3 6.12 MB
  06-sideshow_256_lame_cbr.mp3 3.74 MB
  07-chach_256_lame_cbr.mp3 6.51 MB
  08-missing_256_lame_cbr.mp3 11.03 MB
  09-minas_de_cobre_(for_better_metal)_256_lame_cbr.mp3 5.77 MB
  10-over_your_shoulder_256_lame_cbr.mp3 7.64 MB
  11-vinegaroon_256_lame_cbr.mp3 2.03 MB
  12-trigger_256_lame_cbr.mp3 4.71 MB
  13-sprawl_256_lame_cbr.mp3 2.67 MB
  14-stray_256_lame_cbr.mp3 5.32 MB
  15-old_man_waltz_256_lame_cbr.mp3 4.57 MB
  16-bloodflow_256_lame_cbr.mp3 9.47 MB
  17-frontera_256_lame_cbr.mp3 7.97 MB
  big.bmp 1.73 MB
  calexico-car.gif 64.59 KB
  Front.jpg 38.43 KB
  info.txt 5.07 KB
  malaga.jpg 56.38 KB
  small.jpg 10.92 KB


Calexico - The Black Light 1998

size: 101 mb
bitrate: 256

Calexico, a Tucson collective of musicians focused around Joey Burns and John Convertino, forged an eclectic identity through their exploration of Southwestern culture. Composer Ennio Morricone's spaghetti Westerns as well as Portuguese fado; Afro-Peruvian music; and '50s and '60s jazz, country, and surf music all factored into Calexico's music.

Burns studied classical music at the University of California-Irvine before starting his rock career. Calexico formed after Burns met John Convertino in Los Angeles in 1990. At the time, Convertino was playing with Howe Gelb's experimental rock group Giant Sand. Burns joined the group as their upright bassist for a European tour. Burns and Convertino found their voice as a duo during a break from work with Giant Sand. They moved to Tucson in 1994 and began collecting instruments from the Chicago Store in Tucson. First, they worked with Tucson's neo-lounge combo Friends of Dean Martinez. They started to play marimba, cello, accordion, and vibraphone in addition to their usual work on bass, guitar, and drums. After a split with Friends of Dean Martinez founder Bill Elm in 1996, the duo began to get session work with Barbara Manning, Richard Buckner, Victoria Williams, Michael Hurley, Bill Janovitz, Vic Chesnutt, and with Lisa Germano (as the trio OP8). Burns & Convertino experimented on their own with their new instruments in a home recording studio in 1996, releasing their debut CD, Spoke, on Germany's Haus Musik Records. After signing with Quarterstick/Touch and Go Records in Chicago, they released The Black Light in 1998 and The Hot Rail in 2000.

For their 2001 EP, Even My Sure Things Fall Through, Calexico enlisted the support of longtime members Martin Wenk, Volker Zander, and Jacob Valenzuela, as well as members of Mariachi Luz de Luna. The song "The Crystal Frontier" was inspired by Carlos Fuentes' novel and the Cumbia rhythms of Mexico. "Sonic Wind" was a remixed instrumental version of a song originally on The Hot Rail, featuring Valenzuela's trumpet solo. "Untitled III" was a remake of a song by the electronica group Twoloneswordsmen. "Chanel No. 5" was a cover of an American Music Club song. "Banderilla" was a reworking of an outtake from The Hot Rail. Session work with Richard Buckner and the Louvin Brothers' song "Knoxville Girl" inspired "Crooked Road and the Briar." And "Hard Hat" was an ambient version of the song from The Hot Rail.

Even My Sure Things Fall Through (Quarterstick), in effect, was a collection of outtakes from the group's 2000 CD release, The Hot Rail, as well as B-sides, remixes, and previously unreleased material from their European label, City Slang. In 2003, the band issued their most cohesive material to date with Feast of Wire. An EP of covers, Convict Pool, followed a year later.

The Black Light
Deeper and richer than their debut, Spoke, Calexico's second album expands upon the sun-baked, cinematic sound of before with the addition of Latin jazz rhythms, mariachi trumpets, and pedal steel; in and of themselves, the group's songs are not exactly compelling, but they're produced with such a fine sense of texture and atmosphere that The Black Light still makes for intriguing listening.

"The perfect soundtrack for a summer roadtrip in an old car across Death Valley. Calexico's musical textures are woven out of a dazzling array of instruments and styles, including mariachi trumpets, countrified pedal steel, Latin jazz percussion, and carnival organ, just to name a few. The songs move at siesta speed, casually looping and loping along, never getting overheated."

1 Gypsy's Curse Burns 4:17
2 Fake Fur Burns 2:36
3 The Ride, Pt. II Burns 3:08
4 Where Water Flows Burns, Convertino 1:56
5 The Black Light Burns, Convertino 3:20
6 Sideshow Burns, Convertino 2:02
7 Chach Burns, Convertino 3:33
8 Missing Burns 6:01
9 Minas de Cobre (For Better Metal) Burns 3:08
10 Over Your Shoulder Burns 4:10
11 Vinegaroon Burns, Convertino 1:06
12 Trigger Burns 2:33
13 Sprawl Convertino 1:27
14 Stray Burns 2:54
15 Old Man Waltz Convertino 2:29
16 Bloodflow Burns 5:10
17 Frontera Burns
Joey Burns (vocals, guitar, steel guitar, mandolin, cello, accordion, keyboards, double bass, percussion);
John Convertino (accordion, vibraphone, marimba, drums, percussion).
Additonal personnel:
Stephanie Nelson (vocals);
Nick Luca (Spanish guitar, claves);
Gabriel Landin (gitaron);
Neil Harry (pedal steel guitar);
Bridget Keating (violin);
Rigo Pedroza, Fernando Sanchez, Al Tapatio (trumpet);
Howe Gelb (piano, organ);
Tasha Bundy (background vocals).

Produced By Joey Burns & John Convertino
Engineered BY Craig Schumacher & Nick Luca
Recorded At Wavelab Studios, July-August 7 December '97 except 2,4 & 11 -The Homes of Burns/Convertino.
Mixed At Wavelab Studios, Tucson, Arizona

1998 CD Quarterstick 52

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